Hungarian filmmaker Béla Tarr has spent his career asking audiences to do something radical: wait. From the seven-minute tracking shots that open Sátántangó to…
Reviews
When the body politic contracts a fever, the writing desk becomes a confessional, a ward, and sometimes a grave. Plagues have always produced diaries, not…
When HBO's The Leftovers signed off in 2017, the prevailing wisdom suggested that prestige television's appetite for metaphysical grief had finally been…
Zbigniew Herbert is often introduced through a single figure: Mr Cogito, the restrained moral observer who walks through ruined Europe, authoritarian history…
The rain-slicked streets of a future Los Angeles have rarely sounded as hollow as they do in the opening minutes of Denis Villeneuve's 2017 sequel. Where…
Chris Marker's 1983 film Sans Soleil belongs to a category the streaming era has quietly demoted: the essay film. Built from letters, voiceover, and patient…
Stanisław Ignacy Witkiewicz—better known as Witkacy—approached theatre as a laboratory for disturbing the audience’s sense of order. His plays are populated by…
Vaporwave emerged in the early 2010s as something stranger than a music genre and more melancholy than a visual trend. It was a hauntology dressed in pastel, a…
For decades, the long cutscene has carried the same reputation in gaming circles as the saxophone solo carries among certain jazz purists: technically…
The first chord of a Pärt piece often feels like the aftermath of something just concluded, a vibration still humming in the ribs of the listener. Across more…